What makes a good harp?
Good material! Skilled craftsmanship!
For all my instruments I
use carefully selected and well-stored grained woods suitable for instruments.
Their sturdy growth on barren, rocky ground together
with the raw mountain climate attributes an excellent, stable tone to
the instruments and ensures optimum transmission of resonance. And due
to the careful preparation of the sound box and resonance board made after
the light weight lute, this harp develops its own typical Irish sound.
Its melody is silvery and tingling and its bass is clearly audible while penetrating the room. Precise tuning of each and every component is the secret of a light appeal in sound particular to this harp, which differs qualitatively, as a result of these attributes, from mass-produced harps.